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X-WR-CALDESC:Events for Courtney R. Baker, Ph.D.
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181019T130000
DTEND;TZID=America/Chicago:20181019T143000
DTSTAMP:20260414T223137
CREATED:20181016T123600Z
LAST-MODIFIED:20181016T123628Z
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SUMMARY:Conference Presenter: ASAP/10 Association for the Study of Arts of the Present
DESCRIPTION:Panel: Great Migrations: Blackness as Transgression in American Film \n\n\n\n\nChair: Courtney R. Baker\, Occidental College \nPresenters: \nCourtney R. Baker\, Occidental College\, “Sonic Invasions: The Queer and Black Registers of In Cold Blood” \nMikal J. Gaines\, Massachusetts College of Pharmacy and Health Sciences\, “Wading in theWaters (or the Woods): Pastoral Imagery in Contemporary Independent Black Cinema” \nRobin J. Hayes\, Progressive Pupil\, “Inside Exile: Documenting the Life of Kathleen NealCleaver” \nEden Osucha\, Bates College\, “Documenting Black Horror: Generic Instability and Spectatorial Empathy in Get Out”
URL:https://courtneyrbaker.com/event/conference-presenter-asap-10-association-for-the-study-of-arts-of-the-present/
LOCATION:Intercontinental New Orleans\, 444 St Charles Ave\, New Orleans\, 70130\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180518T100000
DTEND;TZID=UTC:20180518T114500
DTSTAMP:20260414T223137
CREATED:20180501T001051Z
LAST-MODIFIED:20180501T001051Z
UID:261-1526637600-1526643900@courtneyrbaker.com
SUMMARY:Native American and Indigenous Studies Association: Of Blackness and Indigeneity
DESCRIPTION:Chair: Audra Simpson\, Columbia University \nParticipants: \nFugitive Solidarity Phanuel Antwi\, University of British Columbia \nConfederate Symbols and Indigenous Identities Malinda Lowery\, University of North Carolina \nNdNs in the Black Mind: Possibilities\, Tensions\, & Why We Gon Be Alright Kyle Mays\, University of California\, Los Angeles \nComment: Courtney R. Baker\, Occidental College \nThis panel focuses on rethinking the shared conditions of possibility for Indigenous and Black theorizing\, analysis and politics. Panels examine a number of key questions\, including:  How has racialization been shaped by or exceeded the logics of colonial rule in ways that might complicate conventional understandings ofdifference\, colonialism\, and sovereignty?  How might theorizing Indigeneity and Blackness require addressing differential systems of value more expansively or beyond racial binaries? How have anti-Indigenous and anti-Black racisms been co-constitutive and/or situated in opposition to one another?  What relationship or genealogical entanglements are evident in Native and Black conceptions of and struggles for self-determination and for freedom? 
URL:https://courtneyrbaker.com/event/native-american-and-indigenous-studies-association-of-blackness-and-indigeneity/
LOCATION:InterContinental Los Angeles Downtown\, 900 Wilshire Blvd.\, Los Angeles\, CA\, 90017\, United States
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180329
DTEND;VALUE=DATE:20180402
DTSTAMP:20260414T223137
CREATED:20180102T024857Z
LAST-MODIFIED:20180102T024857Z
UID:190-1522281600-1522627199@courtneyrbaker.com
SUMMARY:American Comparative Literature Association: "W. E. B. Du Bois and the Aesthetic Impulse" (presentation)
DESCRIPTION:Panel: The Aesthetics of Excess: Baroques\, Blackness and the Will to Adorn\n\n\nThis seminar considers the astonishing versatility of the baroque in aesthetic forms that criss-cross the division between “high” and “low” expressive cultures in Black Diasporic\, European\, Euro-American\, and Latin American settings. Most of the contributors turn to recent art forms or genres–installation art\, post-apocalyptic fiction\, transnational romance\, hip-hop\, mid to late 20th century painting\, etc. Others return to more traditional forms\, including the aesthetics of coronation and hymn\, translation as style\, and fables. The contributors also demonstrate the baroque’s versatility by turning to writers as diverse as Hurston\, D’Ors\, Glissant\, and Adorno to serve as intellectual touchstones.\nPaper: “W. E. B. Du Bois and the Aesthetic Impulse”\n\nThis paper explores the impulse toward abstractionist visual aesthetics in W. E. B. Du Bois’s novel Dark Princess. This impulse fulfills the German Romanitic aesthetic idealism outlined in “The Criteria of Negro Art\,” and the essay collection The Souls of Black Folk.
URL:https://courtneyrbaker.com/event/american-comparative-literature-association-w-e-b-du-bois-and-the-aesthetic-impulse-presentation/
LOCATION:University of California\, Los Angeles\, 405 Hilgard Avenue\, Los Angeles\, California\, 90095\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180324T104500
DTEND;TZID=America/New_York:20180324T121500
DTSTAMP:20260414T223137
CREATED:20180307T022816Z
LAST-MODIFIED:20180307T022816Z
UID:246-1521888300-1521893700@courtneyrbaker.com
SUMMARY:Black Portraitures IV: Moderator: Black Women's Fantasies in the Moving Image
DESCRIPTION:Moderator: COURTNEY R. BAKER\, Occidental College \nROBIN J. HAYES\, Founder of Progressive Pupil\, and TIPHANIE YANIQUE\, Wesleyan University – “Fortune Bay: Visualizing a Feminist History of America’s Battered Paradise\, the US Virgin Islands” \nLEIGH RAIFORD – “Framing Diaspora: Kathleen Neal Cleaver’s Family Albums of Exile” \nROBIN J. HAYES and LEIGH RAIFORD – “Reclaiming Panther Women: Bringing Homemaking and Family into Third Cinema Filmmaking”
URL:https://courtneyrbaker.com/event/black-portraitures-iv-moderator-black-womens-fantasies-in-the-moving-image/
LOCATION:Harvard University Faculty Dining Room\, 20 Quincy Street\, Cambridge\, MA\, United States
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BEGIN:VEVENT
DTSTART;TZID=UTC:20171116T120000
DTEND;TZID=UTC:20171116T131500
DTSTAMP:20260414T223137
CREATED:20170816T015451Z
LAST-MODIFIED:20170819T004618Z
UID:115-1510833600-1510838100@courtneyrbaker.com
SUMMARY:Center for Biotechnology & Global Health Policy: Women and Hate: Lynchings\, Hate Groups\, & Emmett Till (panel)
DESCRIPTION:Center for Biotechnology & Global Health Policy 2017-18 Colloquium Series:\nHate In A Period of Political Turmoil \nThe Center for Biotechnology and Global Health Policy prioritizes collaborative\, cross-cultural and interdisciplinary exchanges\, bringing scholars\, policy makers\, nongovernmental organization members and others to the University of California\, Irvine for roundtables\, symposia and points of engagement. This year\, we will host conversations that explore the rise in hate speech and hate crimes in the United States.  This academic year marks important milestones for these conversations\, starting with the notorious 1927 United States Supreme Court case Buck v. Bell\, which officially and legally launched a horrific practice of eugenics in the United States.  Twenty years later\, the trial of Nazi doctors who performed atrocities on innocent people\, leading to sterilizations\, deaths\, and the maiming of children\, women\, and men\, began in Nuremberg.  This academic year also marks the 50th year anniversary of Dr. Martin Luther King’s death and the 55th anniversary of the tragic bombing of the 16th Street Baptist Church in Birmingham\, Alabama\, which killed four girls and injured numerous others.  It was decades before the state brought the perpetrators to justice. Thus\, we have so much to talk about—then and now.  This ten-month colloquium series builds from our previous university and community based conversations that have covered topics such as the modern U.S. family\, women in politics\, race and mental health\, same sex families\, and sparked lively\, important exchange.
URL:https://courtneyrbaker.com/event/panel-discussion-women-and-hate-lynchings-hate-groups-emmett-till/
LOCATION:University of California\, Irvine School of Law\, 401 E Peltason Dr\, Irvine\, CA\, 92697\, United States
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BEGIN:VEVENT
DTSTART;TZID=Asia/Krasnoyarsk:20171110T100000
DTEND;TZID=Asia/Krasnoyarsk:20171110T114500
DTSTAMP:20260414T223137
CREATED:20170804T110049Z
LAST-MODIFIED:20170819T004659Z
UID:88-1510308000-1510314300@courtneyrbaker.com
SUMMARY:American Studies Association: Combahee and Her Daughters: Black/Queer/Feminist/Women's Practices of Survival and Resistance (panel workshop)
DESCRIPTION:This panel convenes Black women who have conducted exceptional work engaging in daily and local projects of justice work. At a moment when interlocking oppressions of racism\, homophobia\, misogyny\, xenophobia\, and more attempt to immiserate us daily in the United States\, we are moved if not in fact beholden to an intersectional liberationist politics—one that has been repeated throughout the Black feminist tradition and beautifully clarified by the Combahee River Collective’s landmark “Black Feminist Statement” of 1977. \nThe participants—Combahee members and her daughters—conduct Black/queer/feminist work on food justice\, sexual and gender pride\, bodily integrity\, health\, love\, and dignity. This labor has given and continues to create spaces and strategies for building the beloved community as it outwits the structures of white supremacy\, colonialism\, and heteropatriarchy. In the spirit of Patricia Hill Collins’s work on Black feminist consciousness\, this session is structured to decenter the academy as the essential zone of intellectual activist work by acknowledging\, to paraphrase Collins\, that the Black feminist activist tradition is deep and wide\, and has always entailed projects and strategies of community survival. \n 
URL:https://courtneyrbaker.com/event/panel-workshop-combahee-and-her-daughters-blackqueerfeministwomens-practices-of-survival-and-resistance/
LOCATION:Hyatt Regency\, 151 E. Wacker Drive\, Chicago\, IL\, 60601\, United States
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